f....g great release ! brand new artworks on material after the artistic ones! sometimes to hype over a record is good but this time let this vinyl talk..- safras, inglese,tavazzi and mr bizz!

already huge support by jimpster, scope, f.e.x., anthony collins, h.o.s.h., brothers vibe, m.in, secret cinema, shur-i-kan, pawas, mihai popoviciu, someone else, audiojack, guy j and many many more!! monster-spring-summer tunes!! incl. pol_on, slg and mikita & juerga remixes!one of us said, in the dziurka when it comes to naming our famous love-house track! we are two stupid gods, ormuzd and arhyman, both of us represents the light and dark sides of worlds nature, its all kinda complicated as we are actually always wasted and too lazy to know which one of us is which. but being honest... who knows what two old, weird and stoned gods would think of to name their music creation...

after a successful first year for berlins soulfooled label starts 2011 by presenting the most successful tracks of 2010 remixed on sfld004. we are proud to share remix works from roberto rodriguez, salvatore freda and fritz zander with you. on the a-side salvatore freda delivers an heavy - oldskooled based - peaktime stomper remixed from david durangos >walk in your skin<, while roberto rodriguez creates a musical masterpiece using terje bakkes groove of >tango orange< and composing a musical 303 journey at its best. last but not least fritz zander shows that alex niggemanns tribal original (jewels) can be remixed in a total moody way and presents a perfect opener for sunny open-airs.
supported by: jimpster, m.a.n.d.y, anja schneider, ben watt, luna city express, catz n dogz, jozif, marc romboy, nic fanciulli, nick curly, phonique, till von sein, martin eyerer, gel abril, anthony collins, sis, gorge,..

a brand new hotly anticipated ep from us based producer milyoo entitled >kazaduon< ep. since his fantastic debut on subeenas opit label things have been relatively quiet on the release front for milyoo but he is back with his finest output to date and its available to purchase right now.
limited edition vinyl pressing – with support from the likes of laurent garnier, angel molina, karl moestl, bunzer0, rob booth, the black dog, james mountain and more …

almost three years after their release >lake<, odessa appear appealing their scene again. actually, their privacy breaktime should not have been a musical discontinuance, too. but as it sometimes goes things happen abruptly. although the ep >memory leak< already was pre-produced in 2009 it got just recently a detailed finishing. leave off the idea these tracks could have had their half-life already, not at all. odessa stay here and now, presenting reduced, cool-organic house with wide atmospheres. even though odessa music keeps ascetical aesthetics since the beginning a certain pathos can deeply be felt. once again, but just for one track (>l aurore<), frederique frankes exceptional voice comes to effect.

grime has been clawing its way back to the centre of underground uk music in a big way recently, riding a new wave of credibility in futurist iterations from terror danjah, hyperdub, and butterz. but with the rising profile of figures like slackk and the eski-aping sound of becoming real and sometimes jam city, theres been a pseudo-lionization and a growing mythology surrounding classic grime. honestly, its been a long time coming, the music is legendary for a reason. terror danjahs new(ish) hardrive label takes a bold step in 2011 with a sharp look back-ward, and in typically cyclical fashion it feels perfectly now. dating all the way back to 2004, p jams >anger management< is a minimal monster of a tune, slamming with the same slurred and blurred percussive elements of wileys essential >ice rink<.

a surprisingly deep start into the year from flicker main act strich acht! while dorsia is a functional work of monstrous dynamic power. point barrow develops a more sensitive but wide-ranging density.
supported and played by: andreas henneberg, ramon tapia, joy kitikonti, tolis q, dj linus, haito, todd burns, dj misc, nic fanciulli, brothers vibe, ondrej, homebase, fine cut bodies (biscuit reality) and many more ...

desolat is proud to present a release where veterans meet manon aka manon maeder has been part of the swiss techno and house scene since the early nineties. starting with illegal parties in bern, later involvement in legendary early days afterhours at the >oxa” in zurich, followed by first productions in 1996, residency at >hive< club and her involvement with the >vision< festival, manon is today probably more thrilling than ever before. for desolat, she delivers remarkable tracks that sound like a sonic snapshot of a balearic sunset. pat carnal speaks about manon getting lost in brasil 20 years ago and the conversation was recorded at one >formbar< afterhour. guitar virtuoso mats küpfer added his part at studio willeneger in bern. we d like to tell you more about >que cara é essa” but its probably better to listen to the music. first remix comes from another veteran and one of our heroes, stacey pullen, a kosmik messenger and an innovator from the second wave of detroit techno. he takes vocal snippets from the original and wraps them up in his trademark percussive, driving, stripped down sound. second remix comes from desolats own tini representing a new generation of electronic music talents. she turns manons original in a dark claustrophobic shaker that will gently take you by the hand and stay on your side until the next sunrise

already known as one of the most influential artists in the dub techno scene, with releases on labels like styrax, echocord and quietus, quantec delivers analog responses first release, that will be an authentic masterpiece for the well estabilished collectors as well as for any farsighted music lover! his already demonstrated versatility in the fields of dub techno and dub ambient, extends this time with a personal intepretation of higher level dancefloor music, as you will notice on this 3 tracks ep. the resulting record is a real must, but its only available on limited press!

big with: marco carola, raresh, robert dietz, gregor tresher, daniel sanchez, ekkohaus, chaim, gel abril, bart skills, martin eyerer, pig&dan, richie hawtin,..
the two dutch artists warren fellow and michel steinbach team up again to show what good dance music is. but this time they give their debut on mannheim based label circle music. again they created a unique eclectic mix like they did on their successful cosmic ep in 2009 or together with legendary todd terry with >got a soul< in 2010 where they proved that they are very able to handle house music. on the a side we have some straight beats with classic percussions at the beginning. but very soon fellow and steinbach come around with some synthesizer hook which melody is quoting the nineties. the vocals only brings it down to a round figure.

tin mans voice is infamous, romantic, an expression of love, life and beauty, but also slowly fades away, covered in sleaze. and so is his music, a melodic and rhythmically bass driven art work somewhere in between acid, house, electronica and synth pop. great. don t miss his album perfume which is set to release in spring 2011.

supported by: pol_on, deetron, moodymanc, maya jane coles, kris wadsworth, ethyl, el txef a, james teej, and some other nice lads. londoner huxley has been one of the names to watch over the past year after the success of his and ethyls releases on tsuba and cecille. these were closely followed by releases on kolour and fear of flying and remixes for the likes of sasse, lee burridge and andre crom. huxley returns here with some proper house music. the lead track, devoted, effortlessly blends the old and new, while the two b side tracks show that huxley is anything but a one trick pony. perception of truth shows his techier side, whilst linked out shows his affinity to raw, analogue house music

slamminhg techhouse 4 track vinyl sampler....

yes borique tribez back in da house selecting the freshest techno beats for his basics imprint! gueststar david moleon got the chance to take his favourite tracks by kobaya and turned them into his style. original were killers, but these two fine gems here a masterblasters! big from start till end and will turn more heads than kate and will.

sasha carassi is one of the best italian techno djs and producers. since 2002 his immense output gives the worldwide techno scene a lot of exciting material. numerous releases on labels like drumcode, sleaze, respekt recordings, 8 sided dice or driving forces he gained a lot of attention and in the following teamed up with artists like joseph capriati ,adam jay, brian sanhaji,spektre or virgil enzinger. his latest release on harthouse called >white sucker< last year was massive. now we are absolutely positive that sasha carassi, founder of globox and cofounder of phobiq should be part of the harthousefamily. with the a-side track 3 44 sasha takes off with everything important to a good techno track: a nice innocent intro takes place and blows everything off with the entering beats and percussions. the twisted use of science fiction sounds sets interesting highlights what makes the track a real peak time pearl. the first track on the b side continues energy and charakter of >344< but turns the meaning of synthsizer use into a bit more psychological torture porn.

we are happy to welcome a new artist into our family. young jose pouj is one of the new emerging talents from the spanish techno scene. his speciality is hard edged techno, but with a touch of class. a sound carefully crafted and skilfully developed. his blood poisoning ep starts with waken, a scientific techno number with a solid rhythm arrangement, fat basses and sharp synth workout, a funky electronic steamroller designed for body and mind. the b side opens with sepsis, a harder approach to modern techno with a strong drum programming, sweeping drones, an arpeggiated bassline and a bunch of bleeps that appear and disappear throughout the arrangement. an anabolic track that slowly goes to a mental break and turns once more to madness. the release closes with organic return, where the main course is made up of carefully programmed synthetic drums, till an emb-flavoured bassline comes into the track, reminding us of the good old pulsinger style. summing up, this is the work of a great young producer that injects new blood into our label. watch out for forthcoming adventures of this new talent.

9am records may only be on their third release, but already the label of gaffy and paris collective, fine squad have caused more than a ripple of excitement with their brand of organic and unique funk flavour. with huge support having already been lavished upon their brace of releases, including loco dice closing his summer sets with gaffys >on the rhodes again<, its time for the 9am to deliver their latest offering and yet another stunning double header.

cronlog, new label by rocco caine starts straight away with two very special tracks somehow dark and deep but definitely groovy and, of course, in the best deep- and dubtechno style and thats not all, another extremely interesting track to come is a dub rework from sawf (perc trax). almost a dj tool for its functionality and remarkable elements, this track shouldnt be missing in any techno set!

this album builds more than just one bridge between the best worlds of frivolousness and dependability – horizontally, vertically, all the directions in between, and in time. no matter what the current when you cross, the beginning and the end dissolve into an everlasting flow in true 25 character. the journey is fueled by its own limitlessness, all the while delivering crucial reference points for a purposeful riptide ride.
the experienced hedonist lets herself be driven through her beloved quarter-note spheres, relishing the moments when, in certain beats, twinkling details lead her towards a different route – one familiar but long forgotten. she strings this pearl on her chain of rhythm-driven moods, calling upon it at the right times to amplify her individual push. the allure of the impacts unfolding redeems each secret whispered by the spirit of the sound.

heavyweight vinyl + download code.

>lifes track< is the mysterious and anonymous bosconi homemade project of two promising artists,100% build through an analogue and raw production and mainly based on a psychedelic, futuristic and freestyle musical approach.
no names, titles and any point of referement has been added to this release, what you get now is a 4 tracker ep, 4 sonic artworks of detroity inspiration and impulsive creation, in the vein of a more sensitive, delicate and spiritual omar-s, smooth like an early mathew jonson, dreamy and a bit acieed like some of the first intelligent techno tracks done in the 90s but with a more catchy pop music feeling.
shake all the ingredients and you will get the whole mistique and ghostly enigma of lifes track, timeless music made to dig in the depth of your soul.

rhythm of elements consists of internationally renowned pianist makoto kuriya and japanese club scene pioneer dj uchikawa. together they combine exquisite musicianship with the deepest club beats to create a unique hybrid - musical tracks for electronic dancefloors.
over the years, rhythm of elements has called on some of the biggest talents in dance music to re-interpret their tracks. these will now become available for the first time together on cd later this year, but as a teaser, beyond remixes ep selects four on this heavyweight slab of vinyl.

the 12-inch sampler for >panorama bar 03< could have hardly been better. hitherto unreleased, the tree tracks on ostgut ton 47 tick all the boxes that make prosumer such a unique dj: house in its various identities. soundstore starts the triptych with >take u<. greatness and frantic fever visions go hand in hand while hitting the core of chicagos second wave: dance mania, cajual, and relief with siren-like hooks in a feverish delirium. irresistible. prosumers panorama bar fellow steffi slows down the pace. >sadness< that surprisingly did not make it on her album debut is not only the opener of the actual panorama bar mix, but also a tribute to that kind of deep house that doesnt take its prefix lightly. in the end, berlins hunee teaches you a freestyle lesson. in a similar way to the young pal joey, he feeds his sampler a well-known dish, but throws in peculiarity, rascality and deviation to get new results. after all the time, this music is still not getting a bit long in the tooth. lets take a love break.

you could probably live without bad jazz, but you don t want to miss the bad jazz troupe! disregarding any kind of mindless rule – musical or otherwise – this reckless band revamps traditional rhythms and styles with modern production techniques. the bad jazz troupe brings together raw afrobeat, jazz and funk elements with the latest achievements of the electronic revolution in the world of music. the result sounds fresh and original and yet reminds one of those days when jazz was still something unruly, naughty and rebellious. what the bad jazz troupe seeks to accomplish, after all, is nothing but bad jazz in the best sense.

300 copies, vinyl only, authentic, raw, underground. the second offering from laak on their austere imprint is another defined four tracker. >back of beyond< kicks things off, a sincere heads down jam combining latin percussion elements with a killer bass line and warm chords. the second track, >dont ever leave< is a heartfelt lament on the feeling of loss, slowing the tempo down, this one is deep! on the flip, >cosmic causeway< offers something a little different although keeping with the warm pads, this time the use of a spaced out trumpet keeps things flowing. the remaining track >cantankerous emotions< is a little different as regards to the beats, but loses none of the soul and profoundness of the other tracks. only for the underground soldiers!

this is the remix version of the sold-out 12 inch moon jocks n prog rocks and it features remixes from todd terje (2 remixes actually), montezuma as well as frisvold & lindbaek.
whether you find any truth in that or not, one thing is for sure, the new single by the printer-galactic troopers of mungol is one hell of a ride through the sonic wonders of discofied art involving one dudes rather merciless meeting with the (un)godly. it only happens occasionally, but it does happen. you have probably heard rumors, or read about it somewhere. maybe it even happened to you? with >moon jocks n prog rocks<, mungolian jetset have put it - literally - on the record: abductions by beatmongering disco aliens with prog-rock fetishes are on the rise, sometimes with hilariously fatal consequences, such as this tale of one unfortunate individuals meeting with the more funky forces of the cosmos.

in a time where we have seen a full through back to the sound of the 90s where almost every new record sounds exactly like it was made back in the day. its so refreshing to have producers like martin tc around. hailing from montevideo uruguay, former member of the now defunct monoblock project martin tc proves again that its all about the cutting edge of modern funkyness. delivering a ultra funky, jazz injected techno bomb of an ep. we are proud to present martin tcs first solo project and most definitely not his last. in situ on side a is an exploration in chicago style jack combined with a keen sense latin groove and definitely is the money ticket, a sure shot bomb, a burner, a floor filler, a wmd, explosive, techno poetry in motion… if i do say so… side b continues with the funkyness of bukle but takes in further into a more challenging up tempo realm that can go either way in a house or techno set. al fin y al cabo and vice versa are an excellent reminder that techno jazz is still here and that the swing will never die.

mutiny makes its debut on ovum recordings with two dance floor monsters. longtime friends, this collaboration seemed destined to eventually happen. they have been quiet for a while but the boys are back with a fresh sound! on the a side we have the title track >swimming with sharks<, an eerie and mysterious rolling tech house monster. this track is made for a big system and will drive the floor nuts. on the b side we have >you didnt want to<, which is another peak time monster. with its underlying vocal, this track builds with swinging drums and great use of effects. two incredible peak time tracks that should be in your sets through the summer

korablove is ready for his debut on apl. >splash forward< is not only a track but a new concept. at the beginning everything sounds like a classical deep, simple and muffled step, some chords. then something happens, something special. we all know how the structures are rigid, 4/4 that hardly can match with a breaking, the influences of a genre rather than a way of expressing, dressing, living. splash forward is a new way of seeing things, like if the wall of differences falls down suddently, like if years of clubbing and fight for a new space disappear into thin air. a deep track that transforms into a thriller.

christian burkhardt returns with his fourth solo single for raum musik. the title track of this ep which is called >bass horse< has been produced together with reuben woods from cape town better known as mey. if you listen to the tracks that are featured on this ep you will find out that all of them have a different mood but still they all got the non reversible burkhardt funk. all killer - no filler!

we introduce 3 talented international newcomers as the start of a new series on wolfskuil ltd. the amount of fantastic demos we get in at the office is overwhelming sometimes. so it made sense to us to make a best of series out of all these wonderfull tracks. three can sometimes be to much for an intimate conversation, but definitely not in this case.

a new 3-track 12 by canadas solvent, known for his melodic electro and vocoder pop releases on ghostly, morr music, and his own suction records. for minimalrome, solvent debuts a new approach, so please dont expect any sweet solvent melodies this time, in fact, dont expect any melodies at all. here solvent delivers 3 tracks of pure bunker/rephlex-style acid, monotonous and pounding. fasten is the most straight-up acid track present, nothing but 707/606 percussion + x0xb0x squelch. latch and secure are more dark, abstract, dirty. secure is epic madness, clocking in at over 16 minutes, at times slow and prodding, elsewhere growling furiously in sheets of distortion. every track has been edited down from hour+ long hardware studio jams, with the computer acting strictly as a multi-track audio recorder. solvents customized acid box, a heavily modified x0xb0x, features heavily on every track, alongside classic techno boxes like the 808, 101, and pro one. limited to 250 copie

walter merlin jones is a perfectionist. a presence in the house scene since the late 80s, the dj and producer has, over the years, created thousands of undoubtedly wonderful, but unfinished, songs – a staggering collection of musical bits that have fallen victim to his tendency to be his own worst critic. yet, that same perfectionism has yielded some of the most engaging dance music of the last decade, however scant – songs that are aural proof of his preference for quality over quantity. joness first dfa release, 2009s >ill keep on loving you/living without your love<, confirmed his commitment to this idea with subtle grace and slow, seductive rhythms. now, with graceful exit – which pairs joness talents with singer ellipsis, boston producer chas bronz and saxophonist jesse allen — the new orleans-raised artist continues to showcase his discerning ear, proffering music with a modern, evolved take on discos very best virtues.

the opening track from the debut simon baker album was always going to be a strong choice to be the first single. no pressure has received unanimous praise since the albums release and is back with new remixes by art department and simon himself. its rare to get great stand out vocal tracks that dont split opinion, but this seems to be one of them. its slick, deep house of the highest calibre with a stand out hooky vocal from debukas. art department, owners of ras number one track of 2010 drop a superb remix, adding new vocals and teasing debukas back into the mix for a pretty special, hypnotic workout. simons >upstate dub< mix finishes things off. it aims things directly at the dancefloor in his signature, deep and twisting style.

come end of may, dancefloors will be overdosing on awesome music. legendary dirty man housemeister will blow out his third mother-l fucking-p >music is awesome< for the wicked, and rave will reign again. but you can’t just stick your face out into this kind of quality noize - it would mini-melt right off, see!? so housemeister took instant classic electro anthem title track >music is awesome< to some players and friends and said >look boys, i m putting out a smaller dose upfront so nobody will die on the dancefloor, now who s gonna help me save some lives?< everybody was in on this ep effort, of course.

the 5th release of goodvibe records sees hugo merging forces with gambo, a dj/producer from turin, a living legend of the citys underground scene. three tracks made of deep beats and dark disco atmosphere and a digital bonus remix from audiojack, the stunning duo of 20:20 vision family, an absolute amazing floor filler. from the desolate plains of mars and the frozen moons of the outer solar system, from the milky way to the ends of the universe, you will hear of wonders often hard to describe and sometimes even harder to fathom. a cosmic keyhole which it is easy to go through but really difficult to return.

for his second transmission as part of the mindshake family, carlo lio drops a propulsive, meticulous building stomper of a tune. lio creates an impressively spacious and dark sound sphere which envelopes and lures the listener in as the beat subtly builds tension and release. complementing the core elements of the track, crisp drum fills and bell chimes pierce through the mix while a hypnotic repeating synth line wont let you wake up. ghostly vocals channeling the sounds of long past soul singers, add an unexpected but welcome house element. specifically geared for that time of the night when you want to add a wtf moment.

includes coupon for free download of mp3 s of the entire album.

danish duo laid back made a most surprising comeback to the clubs in 2010 with >cocaine cool<. not that they had ever been really forgotten: their electro pop classic >white horse< remained a sure shot in clubs for the thirty years after its release 30 years back and a constant inspiration to boatload of diverse artists from techno to hip-hop. >cocaine cool< was recorded at the same session but the ironic vocals ridiculing label executives blowing up their frail ego with the chemical substance were deemed to risquee at that time, so the recording collected dust in some box until last year. bostons >soul clap< another duo hailed as one of the hotest things in clubland known for their eclectic funk-rooted taste. they opt for a cool sparser arrangement leaving out the “white horse -like chords. a loose, dry electro funk beat, hpynotic one-note synth, few dub effects and additional vocoder vocals do the trick bravorously. besides an instrumental version theres also a harder jacking dub take sounding like early chicago house edits. and while the boys are add it they also re-edited another huge one from laid back: >baker man< that managed the unlikely balancing act of not only hitting it bigtime in the charts but also in the emerging balearic scene. this 12 inch is cool in every which way!

the first immerse release of 2011 sees the label taking on a fresh approach while retaining the same atmospherics that have made it an essential fixture in the bristol music canon. outboxx are made up of jacob martin and matt lambert, and their sound is rooted in groovy, analogue house music. with an emphasis on jamming, theres a loose, live feel to these tracks that has an instant appeal but drags you deeper with each listen. >kate libby< kicks off on a swung beat and warm pads, before dropping down to p-funk bass and sparse synth flourishes. >berties groove< places jazzy rhodes playing at the front of the mix with a classic drum machine workout ticking away in the background. this is soulful, authentic house music with not a clinical midi pattern in earshot. despite coming from a different angle, the outboxx tracks slip neatly into the immerse legacy thus far, pointing the way for a year filled with more of the spacious, haunting club music the label has become renowned for.

there is always an air of excitement in the office when the new dissonant drops with us. it may only be on its third release but marc antonas wonderfully fresh new imprint is making waves, and for all the right reasons. theres no relentless pr entertaining, popular genre chasing or laptop-loving >live< collectives here. no fuss, no bluster, just incredible music.

the boys are teaming up again! the name is lonely, but you are not lonely at all. niconé and philip bader are setting up two mad tracks for your sprawl over the dance floors in the cities and over the countryside. knowing how to use the sharp blades of selected beats and emotions, they just wanna get on top of you. so get ready for a bright summer with wandering open airs and screaming hands in the air. spoony talker give you the right mood and put their mad soulful vocals into lonely, filling the last available free space between techhouse-beats and piano-hooklines. together with mama simba you should be prepared for a wild ride through hot funky peaktimes near chilly lakes and rivers. back in the club animal trainers remix is pulling you into the flickering lights. time to feel too good to be true, cause you wont survive the summer without these tracks...

i just woke and its pretty cold outside. i havent opened the window yet, but i somehow know it and im listening to these six tracks again and try to make an approximation of why and how i have done this ep. they are pretty different from each other but tell the same story or at least are part of the same one as a matter of fact. maybe they were done as an excuse for my overdue album which is scheduled again for this year or maybe just because i was going through some odd times and needed to immerse myself in doing something. in this case music. more the latter i guess. ok so, the opening track is in a way the end of an era and the last one the opening of a fresher one. and the rest fills in the gaps in between those two moments i guess. i hate conceptual things anyways. i never know or want to know why i do certain things. concepts define something before it already begins its existence and trying to explain why is pretty useless. so here it is. the recording of a certain period of time in my tiny existence. with collaborations with jaw (dop), my brother atilla, who is also responsible for the artwork, and jonny cruz. by the time its out itll be a distant memory for me but hope it lasts a bit longer for anyone that listens to it

aldo cadiz, chilean dj and producer, head of disco royal music and resident of santiago beats already crossed our paths with his collaborations with basti grub on desolat x007. he returns to desolat with solo productions and here you have chance to dive into aldo’s world of dance music where south american rhythms meet fragments of musical heritage of detroit. mastered with love by enrico mercaldi, the desolat x series continues to release raw tracks that literally invite the dj to play with loops, hooks and create something new. but you can also just put the needle on the colored record and let the groove treat your dancefloor nicely

after 49 vinyl releases and 9 cd albums in 9 years we are proud to announce our anniversary project, echocord jubilee comp., echocordcd010 and the vinyl releases echocord 50.1 + 50.2 + 50.3 all released in march/april 2011. we celebrate this with 10 exclusive tracks by 10 of our finest artists over the last 9 years. exclusive tracks by fluxion, quantec, deadbeat, onmutu mechanicks, brendon moeller, luke hess, resoe, stephen hitchell, fenin and mikkel metal. all tracks are powerfull dubby tracks that will suit the dancefloor, but also perfect for the homelisteners. here comes the 3rd and last ep out of 3 contains tracks by stephen hitchell from echospace/detroit, fenin & mikkel metal. thanx to the echocord family: artists, ears, distributors, promoters and partners. we are proud and happy still to be here, and hope you will all enjoy this echocord jubilee compilation. a huge echocord jubillee tour all over europe in 2011 will be handled by clique bookings berlin.

its been 2 years since benny rodrigues last release on be as one and since then, the young dutch producer has pushed forward his career, both in the studio and in the dj booth. having remixed people like josh wink, dj pierre, justice, spirit catcher to name just some and released on ovum, poker flat, figure, klockworks, with a busy dj schedule in clubs as berghain or rex, at his young age benny is clearly a well respected artist. benny rodrigues interpretation of acid house takes the form of i like acid, and surely it sounds classic! acid synth madness like in the old days but with an updated touch to rock the floors in 2011. choice hypnotic appeal will not get unnoticed on the floor, once again a track that finds its strenght in the basic structure of its arrangement, effective drums patterns with a freakish top line that carry the track into peak time. steve rachmad remixes as sterac are always a treat, and here the techno legend doesnt fail to impress once again with his take on bennys i like acid. snares, hi-hats, rides and bass, all arranged to build up to a melodic and emotional breakthru, dancefloor bliss for the detroit techno heads. to close this amazing package, germanys own mike dehnert brings his trademark sound to be as one in the form of his remix of i like acid. a tune that finds its perfect habitat in dark, smokey and sweaty rooms with massive sound systems.

and we continue the album package with the second part of his debut album called >durch und durch<! he has already made his name in the music biz with his releases on afulab like bango banger, bam bam bam, abfahrt ep and numerous others, but always delivers his most advanced and progressive productions on his motherlabel afulab.
the first 12 inch contains four tracks in his unique peak-time style, dancefloor fillers for sure, that has found its way into the cases of many big and diverse names like richie hawtin, 2000 and one, butch, stephan bodzin, mihalis safras (felix is one of the hottest producers!), also. this is his first long player that will be released as three coloured 12 inches and the third will include the cover to fit the three maxis and the album cd with extra tracks ! this package will surely be a nice collectors item and a classic in the everlasting felix bernhardt series.

supported by luciano, douglas greed, gorge, the glitz, mihalis safras, kombinat100. spring has already arrived at his secret playground: the warm air is filled with cheerful laughter and bare feet are moving rhythmically in the green grass. mollono.bass reveals a very laid-back character but also a very independent and open-minded approach to electronic dance music on his debut album. the first track in the meadow represents not only a humorous hint on the best possible place to listen to this work but also creates kind of atmospheric foundation for the entire album in its light and fluffy manner. the lively hustle and bustle on the hidden playground happens in many different ways: sometimes it s the frisky bounce of hopping basslines and stimulating house rhythms, sometimes its hypnotic sound structures that take the listener on an adult adventure. but above all its the unmistakable sound of real instruments and their melodies which create that earthy, organic groove of mollono.bass, a groove that gives rise to mighty spring feelings.

taragana pyjarama is 21 year old nick eriksen from denmark, >taragana pyjarama< is his debut release on french house label fool house, following the self imposed death of previous project elm ick, which went onto release on john talabots hivern label (barcelona). the release features three original tracks, ‘,sundanese blonde’,, ‘,ocean’, and ‘,girls’, the breakout track that had the mp3 blog dance community in raptures at the tail of of summer ‘,10. eriksen may feel at home creating deep new house productions but it’,s natural attraction towards the journey in his productions that resonate most, no less so in ‘,sundanese blonde’, perhaps the stand out track on the ep and the sole track to feature a vocal. ricardo tobar provides a pulsating take on ‘,girls’,. as for the definition of taragana pyjarama? we’,re still not sure.
full support from james holden, brodinski, trentemoller, dirtysoundsystem…, ...